Extended Abstracts
All SIIDS 2020 papers are licensed under Creative Commons Attribution license
Hybrid Real-Time Visual Music
Zsolt Gyenes
terre: An Online VR Installation for Critical Reflection on Machine Learning and Audiovisual Media
Hugo Scurto
Sketching Sonic Trajectories
Julian Scordato, Marco Barberis and Nicolò Matteo
Sonic and Visual Relationships: The Mind, Contemporary Composition and Complex Signals
Luís Arandas, Mick Grierson and Miguel Carvalhais
Virtual reality and audiovisual experience in the AudioVirtualizer
Adinda van ‘T Klooster and Nick Collins
Agency and “object specific” creative processes in experimental sound practices
Magno Caliman
Approaches to Immersion and Interaction in Virtual Procedural and Orchestrated Space
Jules Rawlinson
Alignment of Rhythms in Live Coded Audio-Visual Performance
Kate Sicchio, Sarah Groff Hennigh-Palermo and Melody Loveless
Synchronized Multi-Channel Audio for Multi-User Augmented Reality
Robert Fraher
Sound, image and more: a synaesthetic design strategy to alleviate pain in hospitals
Davide Antonio Gambera, Dina Riccò and Emília Duarte
Design Strategies for a Hybrid Video Synthesizer
Sourya Sen and Nuno N. Correia
AcouRe: Streamlining the generation of immersive soundscapes from monophonic sources
Catarina Cruz, Eduardo Magalhães and Gilberto Bernardes
Parallel Voices: Recreating the micro-temporal rhythms of computing as an audiovisual performance
Simon Blackmore
Web-based dynamic visualization of rhythmic latent spaces
Gabriel Vigliensoni, Esteban Maestre and Rebecca Fiebrink
Reformulating Somnium: Re-Arranging Electroacoustic Work
Margaret Schedel and Susie Green
Designing Collaborative and Mediated Experiences with Networked Circuit-Bent Devices
Anthony T. Marasco, Tate Carson and Matthew A. Bardin
Signals at the Edge of Control: Co-composing with Plants and Data in Tactile Potentials
Rewa Wright and Simon Howden
Constrained and un-costrained embodied interaction with audiovisual feedback during vocal performance
Balandino Di Donato
Analysing Gesture in Audiovisual Performance
Mark Pedersen, Brigid Burke and Roger Alsop